Repetition, Cut, Pair And Again

petra feriancova

23 Jun 2010 - 11 Sep 2010

petra feriancova born in bratislava, former czechoslovakia in 77, works in the intentions of post-production. the key moment of her work is the conceptualisation of her own emotional reactions to the processes of perception and memory as well as examination of the conditions of their sharing. she works mostly with already made pictures, texts, archives which she interprets and methodically interchanges. the main aim of the manipulation with a reference, pictorial or discursive, is to provide a spectator with the original affective reaction to it.

guest artist:
martin ježek born in 1976, studied film editing and production at FAMU in Prague. After making some fictional films with actors or better figurants, he invented his own specific method of S8 and 16mm filmmaking, using wild montage of intuitively recorded images in combination with similarly multilayered, elaborate soundtrack full of fragments of music and sentences.

Exhibiting:

Repetition, Cut, Pair And Again - invitation

installation view - repetition, cut, pair and again

feriancova - ježek: 82 shots and some noise from a common orbit
shooted and recorded in bratislava in 24 hours, 24.4. 6:00 - 25.4. 6:00
petra feriancova: slides, itinerary
martin ježek: sounds,super8

6 am, no1

feriancova - ježek: 82 Shots and Some Noise From A Common Orbit
shooted and recorded in Bratislava in 24 hours, 24.4. 6:00 - 25.4. 6:00
Petra Feriancova: slides, itinerary
Martin Ježek: sounds,super8

12:30 am, no 27

feriancova - ježek: 82 Shots and Some Noise From A Common Orbit
shooted and recorded in Bratislava in 24 hours, 24.4. 6:00 - 25.4. 6:00
Petra Feriancova: slides, itinerary
Martin Ježek: sounds,super8

installation view - repetition, cut, pair and again

vulnerability 2010

untitled 2010

installation view - repetition, cut, pair and again

installation view - repetition, cut, pair and again

installation view detail - repetition, cut, pair and again

taken by my aunt, samburu, 1972
taken by my aunt, nairobi, 1972

installation view detail- repetition, cut, pair and again

an instance of the fingerpost

antiperspective 2010

from almost blow up series, 2002

with my mom, with my dad, with my granpa, the supper by us, with my nephew, with my sisters (whom i don´t have), with my husband